Hryhorii Skovoroda

Hryhorii Skovoroda
Born	3 December 1722 village of Chernukhi, Lubny Regiment, Cossack Hetmanate, Russian Empire (now Chornukhy, Ukraine)
Died	9 November 1794 (age 71) village of Pan-Ivanovka, Kharkov Governorate, Russian Empire (now Skovorodynivka, Kharkiv Oblast, Ukraine)
Occupation	Writer, composer, teacher
Language	Latin, Greek, Church Slavonic, Ukrainian, Russian

Hryhorii Skovoroda, also Gregory Skovoroda or Grigory Skovoroda (Latin: Gregorius Scovoroda; Ukrainian: Григорій Савич Сковорода, Hryhorii Savych Skovoroda; Russian: Григо́рий Са́ввич Сковорода́, Grigory Savvich Skovoroda; 3 December 1722 – 9 November 1794) was a philosopher of Ukrainian Cossack origin who lived and worked in the Russian Empire. He was a poet, a teacher and a composer of liturgical music. His significant influence on his contemporaries and succeeding generations and his way of life were universally regarded as Socratic, and he was often called a "Socrates". Skovoroda's work contributed to the cultural heritage both of modern-day Ukraine and of Russia, both countries claiming him as a native son.

Skovoroda wrote his texts in a mixture of three languages: Church Slavic, Ukrainian, and Russian, with a large number of Western-Europeanisms, and quotations in Latin and Greek. Most of his surviving letters were written in Latin or Greek, but a small fraction used the variety of Russian of the educated class in Sloboda Ukraine, a result of long Russification but with many Ukrainianisms still evident.

He received his education at the Academia Mohileana in Kiev (now Kyiv, Ukraine). Haunted by worldly and spiritual powers, the philosopher led the life of an itinerant thinker-beggar. In his tracts and dialogs, biblical problems overlap with those examined earlier by Plato and the Stoics. Skovoroda's first book was issued after his death in 1798 in Saint Petersburg. Skovoroda's complete works were published for the first time in Saint Petersburg in 1861. Before this edition many of his works existed only in manuscript form.

Life

Portrait of Grygor (Ukrainian: Ґриґор) Σ with his signature

Skovoroda was born into a small-holder Ukrainian Registered Cossack family in the village of Chornukhy in Lubny Regiment, Cossack Hetmante (In 1708 the territory of Cossack Hetmanate was incorporated into the Kiev Governorate, though the Cossack Hetmanate was not liquidated), Russian Empire (modern-day Poltava Oblast, Ukraine), in 1722. His mother, Pelageya Stepanovna Shang-Giray, was directly related to Şahin Giray and was of partial Crimean Tatar ancestry. He was a student at the Kyiv-Mohyla Academy (1734–1741, 1744–1745, 1751–1753) but did not graduate. In 1741, at the age of 19, due to his uncle Ignatiy Poltavtsev he was taken from Kiev to sing in the imperial choir in Moscow and St. Petersburg, returning to Kiev in 1744. He spent the period from 1745 to 1750 in the kingdom of Hungary and is thought to have traveled elsewhere in Europe during this period as well. In 1750 he returned to Kiev. From 1750 to 1751, he taught poetics in Pereiaslav. For most of the period from 1753 to 1759, Skovoroda was a tutor in the family of a landowner in Kovrai. From 1759 to 1769, with interruptions, he taught such subjects as poetry, syntax, Greek, and ethics at the Kharkоv Collegium (also called Kharkiv Collegium). After an attack on his course on ethics in 1769 he decided to abandon teaching.

Skovoroda is known as a composer of liturgical music, as well as a number of songs to his own texts. Of the latter, several have passed into the realm of Ukrainian folk music. Many of his philosophical songs known as "Skovorodskie psalmy" were often encountered in the repertoire of blind traveling folk musicians known as kobzars. He was described as a proficient player on the flute, torban and kobza.

In the final quarter of his life he traveled by foot through Sloboda Ukraine staying with various friends, both rich and poor, preferring not to remain in one place for too long. During this time he dedicated himself to individual hermit-like monastic life and study.

This last period was the time of his great philosophic works. In this period as well, he continued to write in the area of hus greatest earlier achievement, poetry and letters in Church Slavonic language, Greek and Latin. He also translated a number of works from Latin into Russian.

Language

Picture of the Skovorada's concept "Unequal to all equality"

There is much debate regarding the language Skovoroda used in his writings. Skovoroda used a form of written Ukrainian which differed somewhat from the vernacular Ukrainian. As a scholar studying in a religious institution that relied heavily on various forms of the Church-Slavonic language although the foundation of his written language was Ukrainian.

Apart from written Ukrainian, Skovoroda was known to have spoken and written in Greek, Latin, German and Hebrew. His poetry has been analysed for foreign non-Ukrainian elements. In an article about Skovoroda's language and style the Slavic linguist George Shevelov was able to deduce that apart from Ukrainian it contained 7.8% Russian, 7.7% non-Slavic, and 27.6% Church Slavonic vocabulary, and that the variant of Church Slavonic he used was the variety used in the Synodal Bible of 1751. Skovoroda's prose however had a higher content of non-Ukrainian vocabulary: 36.7% Church Slavonic, 4.7% other non-Slavonic European languages, and 9.7% Russian.

George Y. Shevelov wrote an overview intended to dispel unfounded generalizations and lay the groundwork for serious study of Skovoroda's language and style. Regarding the common myth of Skovoroda as a “people's philosopher," or ideologist of the peasantry, Shevelov said that he belonged to and was dependent on the circles of the educated class in Sloboda Ukraine. He noted that "the language of Skovoroda, minus its many biblical and ecclesiastical, political and personal features is, in its foundation, the Slobožanščyna variety of standard Russian as used by the educated", as attested by the small number of his extant personal letters that were not in Latin or Greek.

Dan Chopyk describes the written language characteristics of Skovoroda's fables as mixed: "His fables, written in a mixed Russian-Ukrainian-Church Slavonic language were, according to Gorkij and Tolstoy, very effective and, judging by the number of extant copies, were equally liked by gentry and commoners."

Death

Three days before he died, he went to the house of one of his closest friends and told him he had come to stay permanently. Every day he left the house with a shovel, and it turned out that he spent three days digging his own grave. On the third day, he ate dinner, stood up and said, "my time has come." He went into the next room, lay down, and died. He requested the following epitaph to be placed on his tombstone:

The world tried to capture me, but didn't succeed.

He died on 9 November 1794 in the village called Pan-Ivanovka (today is known as Skovorodinovka, Bohodukhiv Raion, Kharkiv Oblast).

Tributes

Soviet stamp with portrait of H. Skovoroda (1972).

Skovoroda on the ₴500 banknote.

On 15 September 2006, Skovoroda's portrait was placed on the second largest banknote in circulation in Ukraine, the ₴500 note.

The Hryhoriy Skovoroda Institute of Philosophy, founded in 1946, operates under the auspicies of the National Academy of Science of Ukraine (until 1991 Academy of Sciences of the UkrSSR).

In the village of Skovorodynivka in Kharkiv oblast, Ukraine, a museum of Skovoroda was located. The museum was operating in a building dated back to the 18th century, on an estate where Skovoroda was buried. On the night of 6–7 May 2022 the building was destroyed with a direct Russian missile strike due to the Russian invasion of Ukraine. The shell flew under the roof of the building, and a fire broke out. The fire engulfed the entire museum premises. As a result Skovoroda National Museum was destroyed together with the historical building. The museum collection was not damaged since it was moved as a precaution in case of a Russian Federation attack. Interestingly the statue of Skovoroda in the building remained standing surrounded by debris of the destroyed building.

On 2 December 2022, on the 300th anniversary of Skovoroda's birth, a monument to him was installed in Washington, D.C., near the Ukraine House. It was created in 1992 by American sculptor Mark Rhodes who was inspired by Skovoroda's ideas.

Skovoroda monument in Washington, D.C., outside of the Ukraine House. Sculptor Mark Rhodes

Works

Skovoroda's works were not printed during his life, due to censorship by church officials. Hryhorii Skovoroda was highly educated in different languages, in particular, Latin, Greek, German. He could read religious literature in German and was influenced by German pietism. Brought up in a spirit of philosophical and religious studies, he became an opponent of church scholasticism and the spiritual dominance of the Orthodox Church. "Our kingdom is within us" he wrote "and to know God, you must know yourself...People should know God, like themselves, enough to see him in the world...Belief in God does not mean belief in his existence and therefore to give in to him and live according to His law... Sanctity of life lies in doing good to people."

Skovoroda taught that "all work is blessed by God", but distribution of wealth outside the circle of God called unforgivable sin. Skovoroda taught that the only task of philosophy was to seek the truth and to pursue it. But in terms of human life, this goal is unattainable, and human happiness lies in the fact that everything has to find the truth. This goal can go in different directions, and intolerance of those who think differently, has no justification. Similarly, religious intolerance does not find justification for eternal truth revealed to the world in different forms. In relation to himself he was entirely uncompromising and as a result he achieved complete harmony between his teaching and his life. He was very gentle and observant in relation to others. It was only in 1798 that his "Narsisis or Know thyself" was published in the Russian Empire, but without the inclusion of his name. In 1806 the magazine "Zion Vyestnyk" under the editorship of Alexander Labzin printed some more of his works. Then in Moscow in 1837–1839 a few of his works were published under his name, and only in 1861 the first almost complete collection of his works was published. On the occasion of the 100th anniversary of the philosopher's death, in Kharkiv (Kharkov), the publication of the famous seventh volume of the Transactions of the Kharkov Historico-Philological Society (1894), edited by Dmitriy Bagaley (after 1918 also known as Dmytro Bahalii), contained the bulk of Skovoroda's oeuvre. Here 16 of his works were published, 9 of which appeared for the first time. Also published here was his biography and some of his poems. A full academic collection of all known works by Skovoroda was published in 2011 by Leonid Ushkalov.

List of works

• Skovoroda, Hryhorii S. Fables and Aphorisms. Translation, biography, and analysis by Dan B. Chopyk (New York: Peter Lang, 1990) Review: Wolodymyr T. Zyla, Ukrainian Quarterly, 50 (1994): 303–304.
• Skovoroda, Hryhorii (Gregory), Piznay v sobi ludynu. Translated by M. Kashuba with an introduction by Vasyl' Voitovych (L'viv: S$vit, 1995) Selected works (original: Ukrainian language).
• Skovoroda, Hryhorii (Gregory), Tvory: V dvokh tomakh, foreword by O. Myshanych, chief editor Omelian Pritsak (Kiev: Oberehy, 1994) (original: Ukrainian language, translated from other languages).
• Skovoroda, Hryhorii (Gregory), "A Conversation Among Five Travelers Concerning Life's True Happiness" (Translated into English by George L. Kline).
• Skovoroda, Hryhorii (Gregory), "Conversation about the ancient world".
• Skovoroda, Hryhorii (Gregory), Ed. by Leonid Ushkalov. "Григорій Сковорода: повна академічна збірка творів" ("Grigory Skovoroda: a full academic collections of works"), (2011).

Teaching

"Wandering Ukrainian philosopher Grigoriy Skovoroda" by Professor N.Stelletsky (Kharkiv University) in 1894

One of Skovoroda's missions was teaching. Formally he taught poetics in the Pereyaslav Collegium (during 1750–1751) and poetics, syntax, Greek and catechism at Kharkov Collegium (also called Kharkiv Collegium and in Latin: Collegium Charkoviensis or Zacharpolis Collegium) (during 1759–1760, 1761–1764, 1768–1769).

In 1751 he had a dispute with the presiding bishop of the Pereyaslav Collegium, who considered Skovoroda's new ways of teaching as strange and incompatible with the former traditional course of poetics. Young Skovoroda, confident in his mastery of the subject matter and in the precision, clarity and comprehensiveness of his rules of prosody, refused to comply with the bishop's order, asking for arbitration and pointing out to him that "alia res sceptrum, alia plectrum" [the pastor's scepter is one thing, but the flute is another]. The bishop considered Skovoroda's stance as arrogant and consequently he was dismissed.

The first year of teaching at the Kharkov Collegium passed brilliantly for Skovoroda. He not only excited his students with his lectures but his creative pedagogical approach also attracted the attention of his colleagues and even his superiors.

Skovoroda was also a private tutor for Vasily Tomara (1740—1813) (during 1753–1754, 1755–1758) and a mentor as well as a lifelong friend of Michael Kovalinsky (or Kovalensky, 1745–1807) (during 1761–1769), his biographer. Probably he was also a private tutor for Gabriel Vishnevsky (1716—1752) (during 1745–1749), son of Fyodor Vishnevsky (1682—1749). Due to Fyodor Vishnevsky, Skovoroda has visited Central Europe, especially Hungary and Austria.

In his teaching Skovoroda aimed at discovering the student's inclinations and abilities and devised talks and readings which would develop them to the fullest. This approach has been described by Skovoroda's biographer Kovalinsky: "Skovoroda began [teaching young] Vasily Tomara by working more on the heart of his young disciple and, watching for his natural inclinations, he tried to help only the nature itself in developing him by engaging, light, and tender direction which the boy could not even notice, for Skovoroda paid particular attention not to overtax the young mind with [heavy] learning. In this way the boy became attached to Skovoroda with love [and trust for] him."

His teaching was not limited to academia nor to private friends and during his later years as a "wanderer" he taught publicly the many who were drawn to him. Archimandrite Gavriil (Vasily Voskresensky, 1795–1868), the first known historian of Russian philosophy, brilliantly described Skovoroda's Socratic qualities in teaching: "Both Socrates and Skovoroda felt from above the calling to be tutors of the people, and, accepting the calling, they became public teachers in the personal and elevated meaning of that word. … Skovoroda, also like Socrates, not being limited by time or place, taught on the crossroads, at markets, by a cemetery, under church porticoes, during holidays, when his sharp word would articulate an intoxicated will - and in the hard days of the harvest, when a rainless sweat poured upon the earth."

Skovoroda taught that one finds his true calling by self-examination. "Know yourself," advises Skovoroda using the well known maxim of the Greek philosopher Socrates. He introduced a well founded idea that a person engaged in an in-born, natural work is provided with a truly satisfying and happy life.

The education of young people occupied the attention of Skovoroda until his old age. In 1787, seven years before his death, Skovoroda wrote two essays, The Noble Stork (in Original: Благодарный Еродій, Blagorodnyj Erodiy) and The Poor Lark (in Original: Убогій Жаворонокъ, Ubogiy Zhavoronok), devoted to the theme of education where he expounded his ideas.

Skovoroda's broad influence is reflected by the famous writers that appreciated his teachings: Vladimir Solovyov, Leo Tolstoy, Maxim Gorky, Andrei Bely, Taras Shevchenko and Ivan Franko.

In popular culture

The following pop songs were written on Skovoroda's poems:

• "Ptashko" by Sonyachna Mashyna (2019)
• "Kurs Valüt" by Kurs Valüt (2020)

On 26 January 2024 the Kharkiv City Council renamed Khrakiv's Pushkinska street to Hryhorii Skovoroda street. This was done in response to a 23 January 2024 Russian bombing of Kharkiv that cased 9 victims, including a 4-year-old child. In the evening in particular, the central Pushkinska Street had been hit.

Sources

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Schultze B. Grigorij Savvič Skovoroda // Schultze B. Russische Denker: ihre Stellung zu Christus, Kirche und Papstum. – Wien: Thomas-Moraus-Presse im Verlag Herder, 1950. – S. 15–27.}
Busch W. Grigorij Skovoroda // Busch W. Horaz in Russland. Studien und Materialien. – München: Eidos Verlag, 1964. – S. 66–70.}
Ueberweg, Friedrich. Die Philosophie des Auslandes. Berlin, 1928. S. 336 ff.}
Arseniew N. (von) Bilder aus dem russischen Geistesleben. I. Die mystische Philosophie Skovorodas // Kyrios. Vierteljahresschrift für Kirchen- und Geistesgeschichte Osteuropas / Hrsg. von H. Koch. – Königsberg; Berlin: Ost-Europa-Verlag, 1936. – Bd. I. – Hft. 1. – S. 3–28.}
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(in Russian) Сковорода Григорий Саввич // Энциклопедия Кольера. – М.: Открытое общество, 2000.
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See also

• List of Ukrainian literature translated into English

Further reading

• Dytyniak, Maria (1986). Ukraïnsʹki kompozytory : bio-bibliohrafichnyĭ dovidnyk Українські композитори: біо-бібліографічний довідник [Ukrainian Composers: A Bio-bibliographic Guide]. Research report No. 14 (in Ukrainian). Edmonton: Canadian Institute of Ukrainian Studies.
• Ern, Vladimir F. (1912). Grigoriĭ Savvich Skovoroda: Zhiznʹ i uchenie Григорий Саввич Сковорода: Жизнь и учение [Grigory Savvich Skovoroda: life and teachings] (in Russian). Moscow: Putʹ.
• Gustafson, Richard F. (1997). "Tolstoy's Skovoroda". Journal of Ukrainian Studies. 22 (1–2): 87.
• Marshall Jr., Richard H.; Bird, Thomas E., eds. (1994). Hryhorij Skovoroda: An Anthology of Critical Articles. Edmonton: Canadian Institute of Ukrainian Studies.
• Perri, Giuseppe (2015). "The Prologue to the Narcissus of Hryhorii Skovoroda as a Philosophical Testament". Kyiv-Mohyla Humanities Journal. 2: 83–98. doi:10.18523/kmhj51026.2015-2.83-98.
• Pylypiuk, Natalia (1990). "The Primary Door: at the threshold of Skovoroda's theology and poetics". Harvard Ukrainian Studies. 14 (3–4): 551–583.
• Zakydalsky, Taras (1965). The Theory of Man in the Philosophy of Skovoroda (MA thesis). Bryn Mawr College.
• Naydan, Michael M., ed. (1997). Journal of Ukrainian Studies. 22 (1–2). Special issue on Hryhorii Skovoroda.
• Scherer, Stephen (1998). "Structure, symbol and style in Hryhorii Skovoroda's 'Potop Zmin'". East European Quarterly. 32 (3): 409–429.
• Shreyer-Tkachenko, O. (1971). Hryhoriĭ Skovoroda: muzykant Григорій Сковорода: музикант [Hryhorii Skovoroda: musician] (in Ukrainian). Kiev: Muzychna Ukraina. OCLC 10607392.
• Kosmolinska, Natalya (2003). "The world tried to catch him but failed — Hryhoriy Skovoroda, the 18th-century Ukrainian philosopher". Welcome to Ukraine. Archived from the original on 25 December 2004.
• The Garden of Divine Songs and Collected Poetry of Hryhory Skovoroda. Translated by Michael M. Naydan. London: Glagoslav Publications. 2016. ISBN 9781911414032.{{cite book}}: CS1 maint: others (link)
• Naydan, Liliana M., ed. (2016). The Complete Correspondence of Hryhory Skovoroda: Philosopher and Poet. Translated by Eleonora Adams and Michael M. Naydan. Introduction by Leonid Rudnytzky. London: Glagoslav Publications. ISBN 9781784379902.
• Shubin, Daniel H. Skovoroda: The World Tried to Catch me but Could Not. ISBN 978-0966275735. Biography with some original translations of Skovoroda's philosophical compositions.

External links

• Works by or about Hryhorii Skovoroda at the Internet Archive